Friday, February 3, 2023

Welcome back, Rip Van Winkle

It’s been a while since the website has been update, so thanks to the friends and supporters who wanted to see some recent artwork.

 

The last few years have been devoted to developing artwork to show in exhibition entries. The colored Pencil Society of America, (CPSA,) holds two annual exhibitions: the International Exhibition and the Explore This! exhibition. They vary in respect to what materials may be used in the artwork. Requirement for each can be found at CPSA.org, but the basic differences are;

 

International Exhibition 

1.     Artwork must be 100% colored pencil

2.   Artwork must be on a manufacturer-prepared surface

3.   Artwork must be two-dimensional

Explore This! 

1.   Artwork can be predominately colored pencil, but must include non-colored pencil media

2. Artwork can be on a manufacturer or artist prepared surface

3. Artwork can be two or three dimensional

 

Here’s some recent entries:

Wetland’s Grace – This is Colored Pencil on plywood. I allow the woodgrain to dictate the landscape but applied acrylic gesso to obscure the woodgrain where I wanted to develop the landing heron.

This was an Explore This! entry. I guess I liked it better than the Judge. It was not juried into the show. There was fierce competition this year!

Deal With It – This is a portrait of Vera Curnow, founder of the Colored Pencil Society of America, wearing pixilated sunglasses. Of course, the pixilated sunglasses are making an interesting comeback today. They were the original memes developed, in the pre-emoticon era, expressing a cool way to ‘Deal with it’.

Thanks, Vera, for being such a good sport! 

This entry was accepted in the 2022 ExploreThis! 18 exhibition and won the Legion Paper Award for Exceptional Merit.


Gary Gilmores Eyes – This was a quick sketch to test the range of colored pencil values on Yupo paper. This surface is similar to using polyester drafting film such as Duralar,  but even the transparent sheet is too dense to manipulate both sides. Nevertheless, the Yupo surface allows a deep pigment and full value range.


Dexter – A gift for a dear friend, done on drafting film. The challenge here was trying to apply color and dimension to a primarily black and white dog.


My Girlfriend – This is actually my wife, Kim. (Yep, she’s still my girlfriend.) Another piece on drafting film, drawn as much with an eraser as pigment. I call this method, “Drawing with the Wrong Side of the Pencil”.


Palm Ball – Again, double-sided drafting film. I love this surface! Painting the blue sky on the back and palm fronds on front allows for crisp edges against the perspective of a hazy atmospheric background.


Mirrored Soul - An idea, or theme, where I want to allow the viewer a peek at how the subject might see themselves. A perfectly healthy girl might see herself as ‘too fat’ in the mirror, a beauty can only see the flaws that make her feel ugly, or in this example, a transgendered young man who identifies as a woman. Although the composition is lacking in this example, I think the idea is still valid.


Man in the Garden – This was a fun piece with Inktense on dark UArt sanded paper. Looking at it again I see where it could use some additional development, but it’s still fun to watch the viewer’s expression change when they suddenly see a face appear from the foliage.


Ride’n the “L” – This piece is one of my personal favorites. This is traditional colored pencil on bristol paper. It fascinates me that there’s more of a story in the reflections then could be captured if the eye was turned 180° in this setting. I definitely want to create more artwork using reflective light and imagery in this way.


Chapel in the woods - An attempt to use colored pencil on canvas. It’s a small pedestrian work but a successful experiment. Several layers of gesso were added and sanded in an attempt to smooth the surface, but it was still a challenge to get the amount of detail a colored pencil artist desires. I will try this again utilizing OMS or watercolor pencils to get better coverage.


Marshlands Wet – Colored Pencil on plywood. I allowed the grain of the plywood to dictate the landscape in this conceptual work. It’s not my favorite but was unique enough to be accepted in the Explore This! exhibition several years ago.




Mortimer – Inktense on darkUArt sanded paper. Mortimer is a talking Halloween statue. The kids and I also learned Mortimer enjoyed April Fool’s Day. You can imagine a yelp or a stutter-step when silently confronted by this creep in the stairwell or when your victim realizes he’s standing in a dark corner of the bathroom. The victim was usually Mom, and she still won’t tell us where she’s hid him from us.